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The HEA Club

ON FINDING AN EDITOR FOR YOUR NOVEL – PART 2

Editors in the wild (aka – How to find them)

You now understand the different types of edits a manuscript may need and that there are lots of editing skill sets to choose from because you read part 1 of this article.

But  how  do  you  track  down  one  of  these  mythical  beings?

Read on, my friend, and I’ll tell you where we hang out.

(Hint: it’s the bar at writing conferences and Threads and tons of other places)

The best way to find an editor? Ask your writing buddies for referrals. Just like when looking for a new doctor or a new job, referrals from friends and colleagues are indispensable. Though not every author-editor pairing will be a match made in writerly heaven, asking friends for recommendations gives you the chance to learn more about the working and communication style of the editor before you ever contact them.

If the referral track isn’t working for you, then next I recommend checking out the copyright and acknowledgments pages of the books you love and respect. Often, authors thank their editors for the work they’ve done, and some indie authors will list their editors (and cover artists and formatters!) on the copyright page.

Still looking? Facebook has approximately eleventy bajillion groups for writers. Join some! Make some new author friends. Ask in the groups if people have editors they recommend.

Online searches work too. I get one or two inquiries a week through my website where the author says they simply Googled some combination of romance+edit/coach and my site came up or they’ve followed me on social media for awhile and have finished their manuscript.

As you’re looking for editors, be sure to find professionals who know your genre.

There are lots of unspoken “rules” in genre fiction that you simply don’t know if you don’t read widely in that genre. And though it’s okay to break rules in writing, it’s best done when you know what the expectation is and flout it intentionally. Ignorance of the standards often just angers readers and makes them throw your book at the wall or – worse – leave a bad review for the world to read.

Once you’ve narrowed your list of potential editors down to your top three or so, ask them for samples! This will give you a chance to see how they work, evaluate their communication style, and decide if you mesh as a team. Some editors charge for samples, some charge and put that amount toward your final invoice if you book with them, and some will do a sample for free. Some proofreaders won’t offer sample edits because proofreading is relatively objective, but other types of editors usually will. Some editors will request pages from the middle of your manuscript since they’ve usually been through fewer rounds of perfecting than the first chapters, but some will take first pages also. There’s a lot of flexibility around samples.

A compassionate editor will always give you positive feedback about your story as well as making clear, actionable recommendations on what can be improved. Avoid anyone who only tells you what you’re doing wrong.
​
These two articles give a short(ish) overview of the editing process, but if you’d like to learn more, check out our free course called Swipe Write: How to match with your perfect editor. Not only does it offer recommendations for finding and working with editors, it covers some of an editor’s expectations and provides some mindset tips for authors.

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